Ripe

Ripe’s new album Bright Blues has an anthemic feel. It is a collection of 12 songs full of sleek grooves and bold melodies that the Alternative-Pop quartet put together to help ride out tough times.    The members of Ripe have never felt more assured about the band or their music. Collectively and personally, Ripe has weathered a mountain of adversity over the past few years, and from those struggles has arisen their best art yet. Bright Blues, Ripe’s sophomore album, is enjoying big excitement at radio, with the new single “Settling” hitting top 15 at AAA and top 25 at ALT with over 16K+ radio spins garnering 15+million impressions and being featured as Alt Nation’s critical cut artist.    Ripe is taking Bright Blues on the road, with a nationwide headline tour that begins shortly after the album’s March 10th, 2023 release date.  The tour will hit prestigious venues such as MGM Music Hall at Fenway in Boston, Terminal 5 in New York City and The Fillmore in San Francisco.    Even before the pandemic, Ripe was on the cusp of something new. The band began drawing acclaim from the likes of the Boston Globe, Huffington Post and WXPN with a dance-ready vibe on EPs Produce The Juice and Hey Hello. Ripe built on that sound and folded in a touch of R&B on their first full-length, Joy in the Wild Unknown. Their streams on Spotify surged past 65 million, they conquered stages at festivals including Bonnaroo, Firefly, SweetWater and Bottlerock, and they sold thousands of tickets across the US, including sell outs at iconic venues like House of Blues Boston and Brooklyn Steel. Ripe was still ready to try a different approach for Bright Blues. The album would already be different in that it would be their first release after signing to indie powerhouse Glassnote Records. They started the creative process by calling in outside producer Paul Butler (St. Paul & the Broken Bones, Michael Kiwanuka) and for the first time, bringing in co-writers, recording four songs that Ripe released as singles throughout 2020.   Bringing new people into the fold, even though they’re old friends, was an exercise in trust that proved well worth it. “We used to just all get in a room and kind of hash it out,” Becker says. With Bright Blues, “It was only one or two of us at a time with Noah and Ryan, so our individual voices got to shine more.”   The new approach also helped Ripe think of the band’s high-energy, freewheeling stage show separately from the recording studio, which they used more as an instrument in the making of Bright Blues. Wulfsohn chimes in, “There are moments of improvisation on the record that feel like somebody was just going for it and hitting something really exciting. I’m biased, but I think you hear every distinct voice across the record, and I think the circumstances of the record absolutely leaked into the musical choices.”   The result is an album that shows the full scope of the band’s abilities as writers and performers. The live show has always been at the core of who Ripe is, and now the recorded music can stand alongside it as an all-encompassing representation of whothe band is and where they are going.   Bright Blues also showed the members of Ripe that they can still surprise each other. “Each of us had moments while making this album that really resonated with us, if not broke us open emotionally,” Barthel says. “Having that experience coming from people who you know better than anybody else and trust so much is pretty mind blowing. It definitely left us all with a new level of inspiration and drive and belief in what we could all do.”

NEEDTOBREATHE with special guest Abraham Alexander

Despite a 20-year history that includes all the accolades of an iconic band, GRAMMY-nominated, multi-platinum band NEEDTOBREATHE came into their latest studio album with a much different frame of mind. They still felt they had something to prove. In truth, this is a band who have loomed large for years, leveraging a unique fusion of modern rock, purpose-driven soul and irresistible pop appeal into a stat line which puts them in exceedingly rare company. They’ve placed five Number One albums all across the Billboard chart spectrum, from Rock and Alternative. They’ve racked up two billion career streams and scored multi-platinum chart topping hits – “Brother” (feat. Gavin DeGraw), “Who Am I,” “Let’s Stay Home Tonight” and dozens more. And they’ve done it all while filling venues across the globe. Ask their fans and it’s been two decades of spirit-mining songs, master musicianship and elemental artistry, digging deep to create a series of sonic monuments to the human condition. Their latest album CAVES is a collection of awe-inspiring melodies, breathtaking instrumentation and epic-scale energy, giving the band’s soul-probing approach a bigger, more expansive new scope.

LITTLE FEAT: Can’t Be Satisfied Tour – VIP Packages

VIP1 Front Row Experience   Description of package:  One (1) Front Row Ticket Pre-Show Meet & Greet with the Band (Not All Members May Be Present) One (1) Autographed Vinyl Copy of Little Feat’s New Album – Sam’s Place One (1) Autographed Exclusive Little Feat Poster One (1) Exclusive Tote Bag One (1) Commemorative VIP Laminate VIP2 Meet & Greet Experience Description of package: One (1) Premium Reserved Ticket Pre-Show Meet & Greet with the Band (Not All Members May Be Present) One (1) Autographed Exclusive Little Feat Poster One (1) Exclusive Tote Bag One (1) Commemorative VIP Laminate VIP3 VIP Merch Package Description of package: One (1) Premium Reserved Ticket  One (1) Autographed ExclusiveLittle Feat Poster One (1) Exclusive Tote Bag PLEASE NOTE: THIS VIP PACKAGE DOES NOT INCLUDE A MEET & GREET. THERE IS NO ARTIST INVOLVEMENT WITH THIS PACKAGE. Legal language for packages: All package elements will be rendered invalid if resold. Name changes will be issued at the sole discretion of 237 Global. VIP instructions will be sent via email no later than three days (3) prior to the concert. If you do not receive this email three days (3) prior please email info@237global.com. All packages and contents are non-transferable; no refunds or exchanges; all sales are final. All VIP package items and experiences are subject to change. Please note that the information provided at the time of purchase (e-mail and mailing address) is the same information that will be utilized for individual contact requirements where applicable. 237 Global, the artist, tour, promoter, ticketing company, venue or any other affiliated parties are not responsible for outdated or inaccurate information provided by the consumer at the time of purchase. If you have any questions regarding your VIP package elements, or have not received your package information within three days (3) of the concert date, please email info@237global.com. 

LITTLE FEAT: Can’t Be Satisfied Tour

The members of Little Feat emerged from the pandemic with their sense of humor, chops, and collective joy in playing intact.  Over the past three years, they’ve focused tours on their epic live album Waiting for Columbus and re-issues of their second through fourth albums (Sailin’ Shoes, Dixie Chicken, and  Feats Don’t Fail Me Now.  Audience response has been rapturous. The band builds on a deep, over 50-year history.  Little Feat used a combination of elite musicianship and brilliant, idiosyncratic songwriting to create a repertoire that transcends all boundaries.  California rock, funk, folk, jazz, country and rockabilly mixed with New Orleans swamp boogie led to a powerful sound that has kept the audience dancing for decades.Their groove – in songs like “Dixie Chicken,” “Spanish Moon,” “Fat Man in the Bathtub,” and “Feats Don’t Fail Me Now” – was so infectious it allowed them to endure and press on even when losing their founder, Lowell George, and founding drummer, Richie Hayward.  They’re in top form now with Scott Sharrard on lead/vox and Tony Leone on drums/vox, and with founder Bill Payne on keys/vox, Fred Tackett on guitars/vox, Kenny Gradney on bass, and Sam Clayton on percussion/vox.Now it’s time for something new.  Their creativity has been renewed, and 2024 will see the release of the brand-new Sam’s Place, in which Feat backs their linchpin conga player, Sam Clayton, on vocals.  The album features a new song, “Milk Man,” by Sam, Scott, and Fred. There’s a live version of “Got My Mojo Working.”  Sam and Bonnie Raitt duet on Muddy’s “Long Distance Call.”  Sam’s Place scratches a deep itch.  Sam added, “I’m very happy because I was never expecting anything like that.  I mean, I have wanted to, but I just wasn’t expecting it to come to the fruition.  It was a long wait, but it’s satisfying.”  

Blues Traveler and Big Head Todd and the Monsters

Blues Traveler In 1987 the four original members of Blues Traveler—John Popper, Chandler Kinchla, Brendan Hill, and the late Bobby Sheehan—gathered in their drummer’s parent’s basement in Princeton, NJ to jam. From these high school sessions emerged a band that would go on to release 14 studio albums and counting, four of which have gone gold, three platinum, and one six-times platinum- selling more than 10 million combined units worldwide. Over an illustrious career Blues Traveler has played over 2,000 live shows in front of more than 30 million people, and, in “Run-Around,” had the longest-charting radio single in Billboard history, which earned them a Grammy® for Best Rock Performance by a Duo or Group with Vocals. Their movie credits include Blues Brothers 2000, Kingpin, Wildflowers and others. A television favorite, they have been featured on Saturday Night Live, Austin City Limits, VH1’s Behind the Music and they have the record for the most appearances of any artist on The Late Show with David Letterman. Blues Traveler’s latest effort, 2021’s Traveler’s Blues, is nominated for a Grammy in the category of “Best Traditional Blues Album,” bringing their 35+ year journey full circle.   Big Head Todd and the Monsters Big Head Todd and The Monsters have persisted as a rare force of nature in rock ‘n’ roll. The platinum-selling Colorado quartet—Todd Park Mohr [vocals, guitar, keys, sax, harmonica], Brian Nevin [drums, percussion], Rob Squires [bass, vocals], and Jeremy Lawton [guitar, keys, vocals, steel guitar]—have consistently churned out undeniable and often uplifting anthems fueled by a hybrid of no-nonsense hard rock, simmering soul, dyed-in-the-wool blues, and a twist of country. Their influence and imprint only widen over time, selling out even bigger venues and enrapturing new eras of fans with every passing year.

Grace Potter

Back in summer 2021, Grace Potter took off on a solo cross-country road trip that would soon bring a life-saving reconnection with her most unbridled self. Heading out on Route 66 from her home in Topanga Canyon, the Vermont-born artist spent the coming weeks crashing in roadside motels and taking time each night to deliriously transcribe the song ideas she’d dreamed up behind the wheel, often scrawling those notes onto the backs of postcards and motel notepads. After completing two more trips across the U.S. on her own—and partly navigating her way with the help of hand-drawn maps from self-styled historians of Route 66—Potter flew to Nashville for a series of recording sessions that quickly gave way to her most magnificently unfettered collection of songs to date. Equal parts fearlessly raw memoir and carnivalesque fable, the result is a body of work that goes far beyond the typical album experience to deliver something much more all-enveloping: the original motion picture soundtrack to a profoundly transformative moment in Potter’s life, a fantastically twisted odyssey populated by the hitchhikers and outlaws and other lifelong wanderers who roam through the wonderland of her psyche.     As she reveals, that explosion of creative energy followed a period of emotional crisis for Potter, a turn of events partly triggered by moving back to her hometown with her husband and young son a year into the pandemic. “There was a big piece of my heart that wasn’t ready to go back to Vermont—it all happened about 10 years earlier than I’d expected,” she says. “California had always felt like a new beginning, a place where I was able to step into a community of like-minded weirdos, and through that first winter I started to feel trapped.” After suffering a miscarriage (a particularly brutal medical experience compounded by the fact that she’d unknowingly been carrying twins), Potter began treatment for clinical depression and soon decided to seek the solace and release she’dalways found on the road. “I used the rental-car shortage as an excuse to go get our car in Topanga, but the truth is I was going to probably have a full mental breakdown if I didn’t step away from the pressure cooker of judgment, I’d placed on myself and my environment,” she says. “At first, Ithought of what I was doing as escapism, and I felt ashamed of that. But eventually I realized I was giving myself permission to do what needed to be done for me to get better.     Even in Mother Road’s most outrageous moments, Potter infuses her songwriting with essential insight into the endless nuances of life and love and belonging. True to the cinematic nature of Mother Road’s storytelling, she’s also immersed herself in creating the album’s elaborate visual components, an undertaking that’s involved expanding her talents as a filmmaker and multimedia artist. “I know now that there’s more depth to my expression, and I feel ready to bring everything into focus under a much larger circus tent than I have in the past,” she notes. And after thousands of miles on the road, countless nights at seedy motels, and a heartrending return home, Potter has made her way to the kind of creative freedom that leaves both artist and audience indelibly altered—a freedom that’s undeniably led to her masterpiece.

FACE 2 FACE – Tribute to Elton John and Billy Joel

THE BILLY JOEL/ELTON JOHN FACE-2-FACE TRIBUTE SHOW     Introducing the U.S.A.’s 1st and longest running tribute to BILLY JOEL & ELTON JOHN…     Taking turns at an onstage piano, the dual tribute artists of the Billy Joel/Elton John Face-2-Face Tribute Show conjure the beloved songsters in both sound and image.  Backed by some the best and most sought after musicians in the business, Levittown NY native MIKE SANTORO’s fingers flash up and down the keys on “Angry Young Man” before he belts out high-energy Billy Joel classics such as “Movin Out”, “Scenes From An Italian Restaurant” and more.   Following Santoro’s set, of the roughly three-hour show, RONNIE SMITH dons the iconic sunglasses and bedazzled suits of Elton John as he charts his style from the ‘70s to the present. Timeless anthems such as “Tiny Dancer” and the epic treasure “Funeral For A Friend/Love Lies Bleeding” mixed with more whimsical material such as “Crocodile Rock” and the fictional rock-group narrative “Bennie and the Jets.”   For the 3rd act, both artists hit the stage for THE grand finale, trading the spotlight with more of the best of Billy Joel and Elton John. For over a decade, this event is not one to be missed! 

Get The Led Out – Tribute to Led Zeppelin

From the bombastic and epic, to the folky and mystical, Get The Led Out (GTLO) have captured the essence of the recorded music of Led Zeppelin and brought it to the concert stage. The Philadelphia-based group consists of six veteran musicians intent on delivering Led Zeppelin live, like you’ve never heard before. Utilizing the multi-instrumentalists at their disposal, GTLO re-create the songs in all their depth and glory with the studio overdubs that Zeppelin themselves never performed. When you hear three guitars on the album…GTLO delivers three guitarists on stage. No wigs or fake English accents, GTLO brings what the audience wants…a high energy Zeppelin concert with an honest, heart-thumping intensity.   Dubbed by the media as “The American Led Zeppelin,” Get The Led Out offers a strong focus on the early years. They also touch on the deeper cuts that were seldom, if ever heard in concert. GTLO also include a special “acoustic set” with Zep favorites such as “Tangerine” and “Hey Hey What Can I Do.” GTLO has amassed a strong national touring history, having performed at major club and PAC venues across the country. GTLO’s approach to their performance of this hallowed catalog is not unlike a classical performance. “Led Zeppelin are sort of the classical composers of the rock era,” says lead vocalist Paul Sinclair. “I believe 100 years from now they will be looked at as the Bach or Beethoven of our time. As cliché as it sounds, their music is timeless.” A GTLO concert mimics the “light and shade” that are the embodiment of “The Mighty Zep.” Whether it’s the passion and fury with which they deliver the blues-soaked, groove- driven rock anthems, it’s their attention to detail and nuance that makes a Get The Led Out performance a truly awe-inspiring event!   Paul Sinclair – Lead Vocals, Harmonica   Paul Hammond – Electric and Acoustic Guitars, Mandolin, Theremin Tommy Zamp – Electric and Acoustic Guitars, Vocals Eddie Kurek – Keyboards, Guitar, Vocals, Percussion   Derek Smith – Drums, Percussion Seth Chrisman – Bass, Vocals

Almost Queen: A Tribute to Queen

They don’t just pay tribute to the legendary band, Almost Queen transports you back in time to experience the magic and essence of Queen themselves. This deliberate four piece band is “guaranteed to blow your mind” with iconic four-part harmonies and expertly executed musical interludes. Almost Queen’s impressive tribute to Queen is nothing short of breathtaking. The band’s authenticity shines through in their impeccable attention to detail and genuine costumes, while their live energy and precision will leave music fans of all ages with an unforgettable concert experience.Almost Queen’s concerts are a true testament to the band’s love for Queen’s music. Fans often travel long distances just to experience Almost Queen’s carefully curated setlist featuring Queen’s best-loved songs, like Somebody to Love, Don’t Stop Me Now, Fat Bottomed Girls, and Radio Ga Ga. Almost Queen occasionally plays some lesser-known album tracks, such as Flash, Spread Your Wings, Love of My Life, as well as other hidden gems. And of course, no Queen tribute concert would be complete without classics like Bohemian Rhapsody, We Will Rock You, and We Are the Champions! It’s no wonder fans keep coming back for more, attending again and again to experience the music of Queen in a manner that only Almost Queen delivers.

Let’s Sing Taylor

Watch VideoLet’s Sing Taylor – A Live Band Experience – is the ultimate tribute to the music of Taylor Swift.  We can show you incredible things, including the most faithful and lively covers of Queen  Taylor’s expansive and sacred catalog. Taking the country by storm, we’re bringing the  communal experience of celebrating Taylor’s music in a live setting to Swifties near and far. So, let the games begin. Calling all Swifties to sing your hearts out and sport your Taylor inspired attire. You can show up at our party any time.

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